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High
Quality Digital Signal Processing |
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Produces
high S/N ratio of 63dB, outstanding horizontal
resolution of 700 TV lines in the 16:9 mode, and long term
stability and uniformity.
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Enhanced
Skin Tone Detail Correction |
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Offers
more natural and smooth details in the picture; a feature
usually found on much higher-priced cameras. Reduces and
controls wrinkles in skin area without changing the other areas
of the image (effects saturation and hue of skin area only, for
fine adjustment of those specific areas). |
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TruEye™
and DynaLatitute™ |
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Reproduces
natural colors with a wide dynamic range of contrast. |
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520K
Pixels PowerHAD WS CCDs |
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Produces
1038 x 504 total pixels, 980 x 494 effective pixels, high
sensitivity of F11 at 2000Lux, a
low vertical smear level of -120dB, and 16:9 aspect ratio
construction.
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Easy
Operation via Set Up File:
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Factory
Preset data files
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Easy
Operation via Scene File Management |
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User
data file for custom settings by the user. Up to 16 scene files
read/write capable with the RCP-TX7 remote control panel option.
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Easy
Operation via SetupNavi™ |
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A
setup file can be stored onto a DVCAM cassette tape or recalled
from the tape. This allows camera setting data to be transferred
to another DXC 30WSL/DSR-1 camcorder for multi-camera or repeat
operations. |
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Easy
Operation via Setup Log™ |
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Status
of camera settings can be automatically recorded onto DVCAM
cassette tape throughout the shooting process. The user may
review camera conditions and settings during picture playback. |
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Status
of camera settings can be automatically recorded onto DVCAM
cassette tape throughout the shooting process. The user may
review camera conditions and settings during picture playback. |
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Pool
Feed composite analog input (optional DSBK-501 board needed)
using Genlock input connector.
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Instant
setting for immediate shooting without the worry of white
balance or gain settings. |
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Highly
accurate, smooth white balance adjustment useful for sudden
lighting condition changes such as those found when moving
between indoor and outdoor shooting environments. |
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Includes
horizontal/vertical balanced peaking adjustment, two RECORD
tally and TAKE tally indicators, switchable aspect ratios and
new 20-pin connection.
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Black
Stretch and Compress |
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Emphasizes
the contrast in dark areas of the picture without any color
changes that would require color correction in the editing
process. |
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Gives
precise level checking in the viewfinder.
Zebra 1 setting: 70 to 90 IRE control.
Zebra 2 setting: more than 100% video.
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Easy
Audio Ch-1 Level Control |
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Control
located on the front, left side of the camcorder, allowing easy
adjustment by the operator.
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Additional
Standard Features |
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EZ
Focus
Programmable Gain Setting
Clear Scan™
Three-mode Auto Iris
Color Temperature Display
Dual Safe Area
Battery Voltage Display
Date and Time Superimpose
Built-in 1kHz Audio Reference
DynaFit Shoulder Pad
Adjustable Viewfinder Mount
Matrix Control by Menu
White Shading Correction
Freeze Mix
Edit Search
REC Review
CA-WR855 Wireless Mic Case
Lithium Ion Battery Ready
External VTR Connection (26-pin)
Dual Size Cassette Mechanism
DV Out (i.LINK 6-pin)
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3-chip
2/3inch, Power HAD IT CCD |
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F1.4
medium index prism system |
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Effective
Picture Elements |
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1:3200K,
2:5600K + 1/8ND, 3:5600K, 4:5600K + 1/64ND |
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Sony
2/3inch bayonet mount |
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Internal
and external with the VBS or BS signal |
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700
lines in 16:9 mode (equivalent to 900 lines [when using 4:3 CCD
with same pixel count] if shot at 4:3 aspect ratio) 700 lines in
4:3 mode
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0.5Lux
with F1.4, Hyper gain (30dB+DPR)
0.8Lux with F1.8, Hyper gain (30dB+DPR)
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F11
at 2000Lux (3200K, 89.9% reflectance), (typical) |
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-3dB,
0dB, +3dB, +6dB, +9dB, +12dB, +18dB,
18dB+DPR, +24dB, 24dB+DPR, Hyper Gain
(30dB+DPR)
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OFF,
1/100, 1/250, 1/500, 1/1000, 1/2000 sec. |
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0.05%
(all zones, without lens) |
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Both
sizes (mini and standard) of DV or DVCAM tapes can be used
without an adapter |
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Analog
Video Input (when DSBK-501 is installed) |
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27.1W
(with VF, DXV-701WS) |
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W
x H x D: 4 7/8 x 7 5/8 x 11 1/8 inches |
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Approx.
8.2lbs. camcorder only
Approx. 13.9lbs. with VF, mic, battery and lens
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